Good fortune likely awaits the lucky new owner of this unique, historic work of
art in the enigmatic 1920's built Chinese Village, a grouping of 8 Oriental
style 2 story homes with bright yellow, blue, red or green glazed ceramic roof
tiles, circular ”moon” windows and gates; intricately carved outrigger beams
under the eaves extending out from the roof; upturned roof eaves with
traditional statues of good luck animals (fu dogs) adorning the roof ridges,
decorative lattice work gates, 10 foot tall high-walled courtyard entries,
Chinese fret lattice work on gates, balcony railings, balastruades and friezes
and multi-paned casement windows (the mullions are actually made of zinc).
The
Chinese Village was designed by architect Henry Killam Murphy who was probably
the best-known American architect at the time designing in the Chinese style.
During the early years of his career he specialized in up-scale residential
architecture in Connecticut but changed his focus in 1914 when he made his first
of eight trips to China, finding a lifetime fascination for the architecture he
found there. His first major commission came from Yale (he was a Yale graduate)
which was looking to expand its medical campus in Changsha (Hunan.) Murphy
believed that Chinese architectural traditions had a place in the western world
and spent a lifetime adapting those motifs to American buildings. One of his
most interesting and remarkable legacies is the Chinese Village in Coral Gables.
There are many common elements found in each of the 8 residences in the Village
yet all are unique. Murphy employed a compound style where each of the houses
faces outward towards the street and they are placed densely together for
maximum effect. A wall, averaging about ten feet in height, surrounds the
compound and is intermittently pierced with Chinese motifs of cast concrete so
delicately detailed that they appear to be actual bamboo.
These elaborately
detailed houses with their brilliant primary colors accurately reflect the
temple or palace architecture of the imperial "Forbidden City" of ancient China.
Every detail is imbued with Asian symbolism usually lost on Westerners and based
on concepts of Chinese cosmology such as feng shui (geomancy) and Taoism. The
use of screen walls to face the main entrance of the house stems from the belief
that evil things travel in straight lines. Colors are chosen for their symbolism
as well. Red is the most auspicious color and signifies luck, happiness, health
and prosperity. Chinese brides wear something red on their wedding day and red
lanterns are hung on New Year's Day and weddings. Also, talismans and imagery of
good fortune such as "door gods" are displayed on doorways to ward off evil and
encourage the flow of good fortune. Which gets us back to the promise of good
fortune for the new owner of this serenely magical Chinese/American pagoda. $949,000.
www.ChineseVillageHouse.com Laura Mullaney 305 790-1000